I have written out a script but won't be presenting this word for word in my presentation. These are the points I want to get across.
1. Opening Slide
Introduction.
2. Summary of level six.
This year has been a year of saying yes to things, doing things outside of my comfort zone and really trying to make the most of my final year in education.
I have taken up numerous opportunities to exhibit and sell my work and I have taken on projects that have pushed the boundaries of my practice and allowed me to experience some new and different ways of working. And obviously I completed my dissertation too.
Entering live briefs and competitions which have lead to some great opportunities like trying out public art by painting my Virgin Media box and going to work in an advertising agency and working under continual art direction. I have been taking on private commissions, showing my work in public facing exhibitions and even went into a school to deliver a talk on what its like to study a creative subject at this level and discuss the opportunities available in the creative industries.
Level six has also got me talking to people and building the beginnings of a professional network. I have spoken to people from creative and non-creative backgrounds and have realised it is beneficial to have a broad range of contacts with different experiences and information to offer me.
3. Who am I as a learner and how does this inform me as a professional practitioner?
I work best when I am working alone, but this year I have realised that this doesn’t mean I can’t still work on collaborative projects with other creative practitioners as long as I have my own job to do within the group. I am happy by myself and can imagine myself working from my own studio quite happily as a freelance illustrator.
I always work best when I’m under pressure and I have learned to set my own deadlines to boost my productivity. I have also learnt that I often need a change of environment to work in so I rotate between working at home, in the studio, cafés and the library.
I am self motivated and don’t need someone telling me to do my work. I often find my most productive and inspired times are when I am working into the early hours of the morning which is why I can’t see myself working a 9-5 job in the future as it’s just not how my brain fucntions.
I am a creative person but I am also very organised and I think I tackle projects quite methodically. Giving myself this structured way of working will hopefully help me manage myself well as a freelancer.
4. What are my skills? What do I do best?
Practically, my strongest skill is drawing, working with a variety of analogue media in an adaptable style which makes my work suitable for a range of briefs with varying timescales and contexts.
Aside from my practical skills, I am good conducting myself professionally, organising my time, staying motivated and being disciplined.
My future ambitions go beyond just being creative, they are about running my practice as a business. Getting involved with numerous Life After College sessions this year has really benefitted my understanding of what to expect when I leave. I still have a lot to learn but I am much more confident with legal things like contracts, licensing, my rights, and financial things like pricing and managing accounts.
5. My work
Talk about my projects.
6. Examples of contemporary illustration I can relate to.
Charlotte Hicks’ portfolio is visually similar to some of the images I produce and the themes she works with are nature and science based which is something I am really interested in as subject matter. I think her work could exist in editorial illustration, book illustration, packaging, product and for educational or scientific proposes. Thinking about this made me realise that there is no reason why I can't make my illustrations work in these fields as well.
I have followed Holly Exley's work for a while now and although we have different visual styles, I would like my own practice to be similar to hers in the future. She works with a lot of natural and food-related themes and her client list includes M&S, Lonely Planet, and Stylist magazine. She also runs her own online shop where she sells original paintings, prints and products.
Jill Tytherleigh works a lot with ink pen in quite a similar way to how I draw. She does editorial illustrations, product ranges, instructional illustrations and much more. I hope that in the future my practice is as versatile as hers so I can work on a broad range of interesting projects.
7. What is my place in the industry?
These are some of the companies, publications and organisations that I am aspiring to work with at some point in the future.
There is a broad range here but I do think my images could work with any of these companies or brands if the brief was right. I think its good to have optimistic long term goals, but my short term goals need to be realistic in order to help me get there.
To get to the point of working with big names such as these, my self promotion needs to be strong.
8. My portfolio and promo pack.
I wanted my visual identity to be something simple that works in black and white primarily. I wanted my name to be the centre of the identity because working as a freelancer means that I am the brand. I thought using my own handwriting made this feel personal and it also fits with my preference of analogue media.
My more detailed work does not work well small scale so I chose a much simpler image to accompany my branding.
My promotional pack consists of a creative CV, business cards and a portfolio book. I also made an acceptance of commission form and some thank you postcards for anyone who buys from me or commissions me for anything.
I produced multiple designs on my business cards and postcards to represent the varying styles I work in. I have kept the overall aesthetic very simple and by sticking to a greyscale theme it would work alongside any piece of my work.
9. My online presence.
My online presence consists of a fully functioning website including a portfolio, about and contact page, and links to my other online platforms. I have a profile on Bechance, LinkedIn, The Dots and Instagram. I keep all of these professional and only post finished work, apart from my Instagram which is where I show a bit more of my personality and my creative process. I have managed to secure commissions via Instagram this year which I think shows that people relate to a slightly less formal point of communication.
I also have a specific email account purely for my illustration work.
10. What do I see my practice being like?
I have decided that I don’t want to go down the route of getting an agent. I have joined the AOI so I can get advice and support if I need it while I am trying to establish myself.
In the future I can see my practice having multiple strands. I want to be commissioned for things like editorial work, book illustrations, packaging and maybe products. I have been thinking recently about explore potential educational and/or scientific use of my illustrations, maybe working on projects for reference books or museums.
I would also like to have personal projects going on to keep me curious and pursue my personal interests.
I also want to run my own online shop where I can sell prints of my work and products with my designs on. It sounds like a lot of work but this is a long term goal for when I don’t have to work another job to support myself.
11. How has level six affected my aims and ambitions?
I blogged at the beginning of the year about my personal and professional aims. I feel I have already achieved some of these like building a strong presence online and also managed to make a bit of money from some small freelance jobs this year.
My confidence in my work is always fluctuating but I do think that overall this year has been positive for building my confidence. Although the prospect of entering the world of work is exciting, it understandably brings elements of self doubt and uncertainty.
At this point last year I was very much focussed on the application of my work onto products and this is something I have continued through this year and still want to pursue. However, through my experiences at level six I am on my way to exploring the wider potential of my work to appear in different contexts.
12. What are my short term goals?
I have a few exhibition opportunities coming up soon. I am also keeping an eye out for any more opportunities like this that come up. I have an art fair lined up for late June which I will need to prepare stock for.
I will be spending time preparing for the end of year show and D&AD in London.
I will be promoting myself as available for work. I want to keep going with my pet portraits as I find there is easy money to be made here. I will also be looking out for live briefs and competitions that can keep me working that can help me gain experience and exposure.
I want to make the most of college’s facilities while I still have access to them.
I will be returning home over summer, going on some holidays, spending time with my family and hopefully taking some time to have a break. I am looking forward to exploring some new places and getting inspiration for personal work. I also want to keep going to galleries, events and exhibitions to keep myself in the art loop, especially in Leeds as this is where I want to return eventually.
Search for jobs and start applying, make a real effort to find something that suits my skills so I don't end up doing something I hate. Analyse my financial situation and make some decisions about the feasibility of moving back to Leeds.
Amongst all of these things I want to do over summer I want to be picking up projects and commissions as I go to make a bit of money and keep my practice going.
By the end of 2017 I hope to have started a job somewhere, hopefully a creative one!
Keep promoting myself as a freelancer and take on as much work as I can to build my reputation and professional portfolio.
13. What am I expecting after university?
I have thought about this a lot and I feel prepared for things not going exactly to my plan.
I understand the first job I have might not be one I particularly enjoy. I just need to make sure its not too tiring or stressful so that I still have the energy and motivation to spend time on my own work when I get home.
I know I’m going to have to discipline myself and stay organised and keep pushing myself to keep up to date with changing trends and technologies.
Rejection is obviously going to be tough to deal with but it is to be expected. I am hoping that I will start to build a thick skin and not be too disheartened by my work not being selected for things. I do often doubt myself but I need to learn to keep my confidence levels high.
I am also going to be wary of being taken advantage of work-wise. I am hoping being part of the AOI will help me avoid being underpaid or exploited.
I am prepared to learn a lot! About myself, my practice and adult life in general.
14. What are my long term ambitions?
I hope that by this time in five years I will have established myself as a freelance illustrator.
I will have either cut my working hours down a lot to make time for my freelance practice or if things have gone extremely well I might be able to freelance full time without the support of another job.
I would hope that I will either be living in Leeds or at least lived there for a while and moved on to somewhere else. And I will definitely have moved out of my family home!
I would hope that I am being approached for most of my work rather than searching for it myself.
Thinking ahead, I would love to have a solo exhibition of my work at some point in my life.
Have a fully illustrated a non-fiction book published.
Have a really good desk. In my own studio. In my own house.
15. Closing slide - any questions?